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Critical Noise

Critical Noise is the website of History of the Present’s editorial collective. It offers rigorously argued critical historical and historiographical work that is engaged with politics and ethics. It is open access and the contributions will generally be shorter than those in the journal. The aim is to expand the critical historical network of the journal through a variety of fora, including “Archives of Dissent,” “Critical Nodes in a Discursive Landscape,” and an occasional symposia on new or classic books and articles. Critical Noise and History of the Present, which is published biannually by Duke University Press, are independent of one another but share theoretical and political commitments.

“It was only a noise, but it was also a message, a bit of information producing panic: an interruption, a corruption, a rupture of information. Was the noise really a message? Wasn’t it, rather, static, a parasite? A parasite who always has the last word, who produces disorder and who generates a different order.”

— Michel Serres, Parasite

Submit Your Work

Submissions from all thinkers engaged in critical history will be considered for “Critical Nodes in a Discursive Landscape,” (1000-3000 words); proposals for book symposia on a recently published work that would fit under the broad rubric of critical history are also welcome.

All inquiries and submissions should be directed to Brian Connolly (bconnolly@usf.edu). Material for the Archives of Dissent will be primarily invited; inquiries should be directed to Anjali Arondekar (arondek@ucsc.edu).
For submission of articles to History of the Present, see guidelines at https://read.dukeupress.edu/history-of-the-present/pages/Submission_Guidelines

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Submissions are reviewed by members of the editorial collective. Only selected pieces will be published.

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